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The painter and sculpturer KRAUSEKRAUSE reflects human behavior. His works are provoking the viewers interaction and invite him to check up his own individuality. KRAUSEKRAUSE formulates his works on the basic of sparkling, witty, ironic and drastic documentation to make dubious the state of society and to strengthen the individual. The paintings of KRAUSEKRAUSE are visual documents of society and use a refreshingly direct language. They reveal developments of individual and social ethics. The subjects ate taken from everyday situations. Human behavior and characteristics are made evident and present socio-political statements and answers to anti-socialness, to fear and illusion. The sparkling, witty context and the ironic, drastic mode of presentation are a constructive invitation to individual responsibility and correction. Socialness and consciousness are openly challenged. This is underlined in the paintings by the placement of perspective - not into the background but towards the viewer into the foreground. The intention is to give occasion to reflection. The viewer is seldom in need of captions. Art has become a distinct pictorial language once again and a universally understandable form for narrating contemporary events -thus giving anew direction to the fine arts which implies socially responsible work. KRAUSEKRAUSE?s installations bring a fourth dimension into sculpture and extend the possibilities of interaction between viewer and object in a unique way. The combination of space and sculpture evokes extreme emotional feedback and experience. The balance which the viewer feels he is moving in, is no longer based on classical perspective but is experienced as a new reality. The effects of this totally new concept on the artistic world and art education are evident. The works are sculptures which bear the advantage of demanding little space at the pedestrians?level. The space is traversible and is headlong equipped with a scene of life-sized figures. Thus the viewer experiences a new emotional state - he does not fall downwards, but upwards. The sculptures supplement and link to the surroundings. Additional shaping of the inner space is not necessary as the sculptures fit in well with their architectural surroundings. Placing the scultures of Krausekrause in already existing indoor- and outdoor-localities enables the viewer to easily recognize himself. This is an important factor as the merging of art, architecture and function reflects social development and the intention of human activities. The book of plates "Perversionkorrektivismus - spriwitziodrastische Betrachtungsweise / Perversion-Correctivism - a sparkling - witty - ironic - drastic reflection", published by JUNI-Verlag in 1989, includes the artists intention and 54 colour prints of his works. Feel free to look at the works of KRAUSEKRAUSE and to contact him for further informations.
Biography: The painter and sculpturer Krausekrause, born in D?sseldorf in 1951, commenced his artistic education at the Academy of Fine Art at Duesseldorf. There limits were very quickly met and he continued under the auspice of well-known characters of the world of art to learn the old and new techniques. His independent work began ta a very early stage, whereby landscape painting played a major role. His landscapes confirmed his individual style and received the recognition of the art world - e.g. publication in "Les Maitres du Paysage" among others with Turner, Kokoschka, Monet, Dufy, Matisse, etc. as well as exhibitions in Belgium with Dali, Picasso, etc.. In the wake of these successes KRAUSEKRAUSE also attempted to free himself from categorization, in order to unfold the diversity of his artistic talents, to fulfill and put into practise new impulses and developments in painting and sculpture. The detachment from traditional artistic education enabled him to explore unknown depths in his individual and manifold feelings of indipendence. He had no idols and refused to accept any form of plagiatism, visions or commercial art. The return to fine art as a language understandable to everyone and his detachment from old traditions such as from expressionism, impressionism, avantgardism, etc. strengthened KRAUSEKRAUSE?s personality and showed him the way towards a new reflection: pictures and objects no longer relicts of beauty for the observer but a media apparatus for the state of society. Techniques and style became inimitable; sculptures were tried under the influences of gravity and material; compounds of different materials were developed; perception and experience are reflected; pictures and sculptures became representing a language for reality reflection in society and its problems. A new definition is given. In order to exaggerate this situation KRAUSEKRAUSE defines his work as being sparkling-witty-ironic-drastic in style and technique - spriwitziodrastische reflection. By the compound visibility of the topics the observer found a reversal to positive reflection and correction of a state. The universal and the cosmopolitan summarization of society and its sociality is created by KRAUSEKRAUSE in a continuously returning, timeless language.
Country: Germany
E-mail: info@krausekrause.eu
Site: KRAUSEKRAUSE
