Biography: Gian Genta manager 63 years at rest is been born Savona where it resides. A getlteman who although the slaps of the life has not saved it has a beautiful work in showing pragma and disillusion cheat the spirit, which when you possess it you cannot fall silent. Assiduous frequent visitor of the circles and the mythical artistic school Albissolese of the Bar Head and Garritta Sink since years the 60-70 has dedicated itself to the world of the art, burlaps, ceramics, wood and writing. Paul Castellucci in 1974 on purpose of its pictures speaks about a young artist who covering on the vehicle of the images the stages of that complicating to be called man shoots at the society and the history isolating them in rising of artificial dimension where the clearance and the irony assume the aspect prosecutor for a illusory process to the daily paper. Exausted the political animosity that for long years has dominated, Gian Genta, with the new millenium does not hesitate to transform just lived the personal one in new shapes of artistic participation of immediate effectiveness, alternating as always the own communicative energy is in the writing that in the sculpture. In 2002 its first collection of images and thoughts exits “Flowers of Ortica” to which dedication the cover the friend artist George Moiso. In the 2005 second Last book in backs and aphorisms “next” whose cover sees the participation of Gianni Celano Giannici the eclectic artist with which Gian Genta it has passed the best cultural moments of the Albissola di Wilfred Lam, of Lucio Fontana, Asgern Jorn, Mario Rossello, Adrian Mouth, Agenore Fabbri, Salt Eliseo, Antonio Sires, Sabatelli, Gioxe De Micheli, Mauro Quetti, George Bonelli, Mauro Malmignati, Bruno Locci, Walter Morando, and of many other anchor like the generous Sandro Soravia who today accommodates it in just atelier in Albissola for the baking of its ceramics. Freed from the political events Gian Genta it has found in the most reckless art of the enterprises, and the image that gushes some is nicer than one of originates it them, also because its eternal and unexpressed shape of recklessness is incapable to leave to guide it from the reason of the limits.
Site: giangenta ceramic's
Development by Magic Web Solutions.