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Ars poetica “Art is an incarnation. The more intense it is, the more “tangible” it becomes. On the contrary: the more apparent it is the more intimate and spiritual it becomes.” /Janos Pilinszky/ In the middle of the eighties, I was enchanted by traditional technique of old masters. I copied and studied them in order to find out their secret and improve my skills. When I paint a portrait beside technical virtuosity I intend to express both my models’ lifelike, physical appearance and their immortal soul and hiding personality. I prefer to travel to my client's homes or offices have long conversations because I feel it is essential to capture my subjects in their own. At the end of the nineties I enjoyed the opportunity to juxtapose symbolic forms and geometric design. Ironically both the local and the international trends returned to hyper realistic, realistic or figurative art at that time. Technical skills were honoured again. Although I have felt great enthusiasm for abstract painters,- such as Tihamer Gyarmathy and kinetic sculptures made by Nicolas Schoffer, or ironic locomobiles made by Istvan Haraszty “Edeske” , since I was 16, - in my world apart from some works, humans always appear and play an essential role. I have been interested in visualising movement and stability, depicting the changing time, experimenting with forms filled in philosophical thoughts, all in my life. Nothing fascinates and inspires me more than human nature. Storms and calm of the human soul are the preeminent subjects of my art. When I paint a portrait beside technical virtuosity I intend to express both my models’ lifelike, physical appearance and their immortal soul and hiding personality. I prefer to travel to my client's homes or offices have long conversations because I feel it is essential to capture my subjects in their own.
Biography: In the middle of the eighties, I was enchanted by traditional technique of old masters. I copied and studied them in order to find out their secret and improve my skills. At the end of the nineties I enjoyed the opportunity to juxtapose symbolic forms and geometric design. Ironically both the local and the international trends returned to hyper realistic, realistic or figurative art at that time. Technical skills were honoured again. Although I have felt great enthusiasm for abstract painters,- such as Tihamer Gyarmathy and kinetic sculptures made by Nicolas Schoffer, or ironic locomobiles made by Istvan Haraszty “Edeske” , since I was 16, - in my world apart from some works, humans always appear and play an essential role. I have been interested in visualising movement and stability, depicting the changing time, experimenting with forms filled in philosophical thoughts, all in my life. Nothing fascinates and inspires me more than human nature. Storms and calm of the human soul are the preeminent subjects of my art. One man exhibitions: 2005 SOTE Gallery, Budapest, Hungary 2004 Tourinform Gallery, Gyongyos 2003 Cultural Centre, Heves 2003 County Cultural Centre, Eger 2002 Old People’s Home, Martrafured 2002 Honved Kaszino, Gyongyos Group exhibitions: 2003 Gerbeaud Harmincad Gallery, Budapest, Hungary 2001 Hilton Hotel, Budapest, Hungary 2000 Honved Kaszino, Gyongyos, Hungary 1999 Tourinform Gallery, Gyongyos, Hungary 1993 Town Hall Galery, Ringstedt, Denmark 1987 County Cultural Centre, Kecskemet, Hungary Studies 2007 CELTA at Australian Teacher Training College, Sydney Australia 2006 B.A. degree in English Language and Literature from Eszterhazy Karoly Teacher Training College, Eger Thesis on Women in Pre-Raphaelite Art ) 1992 B.A. degree in Theology from P. Pazmany.C. Uni.vercity, Budapest Hungary 1992 International Art Workshop, Matrafured Hungary. 1989-96 Private art studies at Elena Delast Art Studio, Gyongyos , Hungary 1986 Become a member of Gyongyosi Muhely (Gyongyos Art Studio) 1982 Art Workshop, Keszthely 1980-84 Vasutas Art Club (Life drawing) Private and Corporate Collections: Portrait of Mor Jokai, 2005, Mor Jokai Public Library, Isaszeg Perhaps, 1996, Art Foundation of Gyongyos. Mother Theresa, 1993, Franciscan Monastery, Gyongyos. San Damiano Cross, 1992, Franciscan Monastery, Gyongyos. Zsuzsanna Klincsek’s works are included in private collections in Hungary, Greece in the United States and in Australia. Connection: Website: www.klinarts.com
Country: Hungary
E-mail: klizsu9@gmail.com
